{"id":12337,"date":"2023-12-22T11:45:43","date_gmt":"2023-12-22T11:45:43","guid":{"rendered":"https:\/\/www.galerijamaticesrpske.rs\/?p=12337"},"modified":"2024-02-02T13:43:54","modified_gmt":"2024-02-02T13:43:54","slug":"ankica-opresnik-porodica-u-gradu-1956","status":"publish","type":"post","link":"http:\/\/www.galerijamaticesrpske.rs\/lat\/u-fokusu-gms\/ankica-opresnik-porodica-u-gradu-1956\/","title":{"rendered":"Ankica Opre\u0161nik, Porodica u gradu, 1956."},"content":{"rendered":"

Sve sre\u0107ne porodice li\u010de jedna na drugu, svaka nesre\u0107na porodica, nesre\u0107na je na svoj na\u010din.<\/em><\/p>\n

Lav Tolstoj<\/p>\n

Grafikom Porodica u gradu<\/em> 1956. godine Ankica Opre\u0161nik izra\u017eava fini senzibilitet porodi\u010dne ljubavi. Na grafici, o\u0161trim linijama prikazani su otac, majka i dete. Otac i majka odeveni su u tirkizno-zelenu ode\u0107u, dok je figura deteta pozicionirana bli\u017ee majci. Pogled mu\u0161karca uperen je ka \u017eenskoj figuri, te prikaz \u010ditave porodice komunicira svojevrsnim intimizmom i suptilnom atmosferom. U pozadini se prikazuje grad kojim je porodica okru\u017eena. Na gradskom prikazu isti\u010de se drvo koje se nalazi bli\u017ee porodi\u010dnoj sceni, dok sa leve strane kompozicije, krajnje neupadljivo nalazi se prikaz krsta \u0161to aludira na crkveni objekat.<\/p>\n

Iako krajnje idili\u010dna scena porodice, grafika ove umetnice odra\u017eava melanholiju i otu\u0111enost. Ukoliko uzmemo u obzir godinu nastanka grafike, mo\u017eemo primetiti atipi\u010dni motiv sakralnog objekta u pozadini. U skladu sa vladaju\u0107om ideologijom datog vremena, povezivanje homogene porodice sa crkvom nije svakodnevna. Specifi\u010dnost medija kakva je grafika otvara mogu\u0107nost interpretiranja samog dela. U posleratnoj umetnosti zapo\u010delo je udaljavanje od prikaza ustaljenih normativnih obrazaca tradicionalne kulture. Svaki prikaz, u ovom slu\u010daju porodica, nije imao za cilj da prenese neke od univerzalnih vrednosti kakvu je umetnost imala u pro\u0161losti. Poneseni li\u010dnim iskustvom, umetnici i umetnice koristili su svoje stvarala\u0161tvo za prenos li\u010dnog, intimnog i do\u017eivljenog iskustva. Porodica u ovom slu\u010daju mo\u017ee biti to \u2013 umetni\u010dki do\u017eivljaj svoje porodice, slika i prilika porodice u datom vremenu i prostoru ili pak model kom je svaka porodica te\u017eila i sa kojim se identifikovala.<\/p>\n

Ono \u0161to vidimo pred nama mo\u017ee predstavljati porodicu kakvu imamo, kakvu smo imali i kakvoj te\u017eimo. Mo\u017eemo ravnodu\u0161no posmatrati stati\u010dne figure koje predstavljaju uloge roditelja ili deteta. Sa druge strane, suptilnost linije i likovnog jezika mo\u017ee nam predstavljati stilizovanu sliku na\u0161e stvarnosti. Krajnji sud ostaje na vama \u2013 kako vi do\u017eivljavate Porodicu u gradu<\/em>?<\/p>\n

 <\/p>\n

O Ankici Opre\u0161nik i njenom radu<\/p>\n

Slikarka i grafi\u010darka Ankica Opre\u0161nik ro\u0111ena je u Vitezu, kraj Travnika 1919. godine. Svoje \u0161kolovanje zapo\u010dela je u predratnom Beogradu, u \u0161koli Mladena Josi\u0107a, da bi ga nastavila za vreme Drugog svetskog rata u Beogradu na Akademiji likovnih umetnosti. Pored Josi\u0107a, u\u010ditelji slikarstva su joj bili Marko \u010celebonovi\u0107, Ivan Tabakovi\u0107, Milo Milunovi\u0107 i Nedeljko Gvozdenovi\u0107. Nakon studija 1950. godine sa svojim suprugom slikarem Milanom Kercom seli se u Novi Sad.<\/p>\n

Godinu dana kasnije predaje kao profesor u \u0160koli za primenjene umetnosti u Novom Sadu. Nakon dominantnog socrealisti\u010dkog diskursa u umetnosti, Opre\u0161nik postavlja prve znake slobodnog umetni\u010dkog izraza koji utire put novoj modernosti. Kao \u010dlan Grafi\u010dkog kolektiva 50 imala je priliku da se upozna sa brojnim umetni\u010dkim tokovima tog vremena. Stoga, tokom svog umetni\u010dkog i pedago\u0161kog rada izlagala je na brojnim mestima u Evropi i svetu (Amsterdam, Peking, Oslo, Meksiko Siti, Krakov, Tokio, Rim, Brisel, Be\u010d, Va\u0161ington i brojni drugi). Sa Milanom Kercom i kolegama u \u010dijim redovima je izlagala, imala je priliku da stekne brojna poznanstva. Nasuprot tome, njen rad je istorijski bio u senci njenog supruga i njenih kolega. Kao \u0161kolovana slikarka, Ankica Opre\u0161nik od svojih po\u010detaka po\u010dinje da istra\u017euje mogu\u0107nosti koje u dato vreme nudi tehnika grafike \u010dije kapacitete Ankica koristi u istra\u017eivanju, \u0161to \u0107e ostaviti svojevrsnu autenti\u010dnost u njenom stvarala\u0161tvu.<\/p>\n

Predo\u010dene godine i intenzivno strujanje socijalizma uslovile su umetnike da ograni\u010de svoje stvarala\u0161tvo i povinuju se umetni\u010dkim poetikama u granicama vladaju\u0107e ideologije. Tokom pedesetih godina i u posleratnom periodu, dolazi do naglog procvata grafike. Ona postaje nezavisna od njene dotada\u0161nje funkcije i namene i osloba\u0111a se uske vezanosti za slikarstvo. Ankica se u svom radu jasno dr\u017eala tradicionalnih motiva poput mrtve prirode, portreta, enterijera i pejza\u017ea. Plo\u0161ne pozadine njenih grafi\u010dkih radova izra\u017eene su idejama lirskog ekspresionizma, intimizma i poetskog realizma. U domenu grafike eksperimentalno upotrebljava boju, liniju i formu. Asocijativno definisanje forme slu\u017eilo je dijalogu izme\u0111u umetni\u010dkog dela i posmatra\u010da. Svako ko posmatra delo imao je priliku da u istom primeti ne\u0161to druga\u010dije, ne\u0161to li\u010dno, gde se izlaganjem pred umetni\u010dko delo produ\u017eavao i modifikovao efekat dela tj. grafike.<\/p>\n

Goran Vujkov<\/strong>, muzejski edukator<\/p>\n","protected":false},"excerpt":{"rendered":"

Sve sre\u0107ne porodice li\u010de jedna na drugu, svaka nesre\u0107na porodica, nesre\u0107na je na svoj na\u010din. Lav Tolstoj Grafikom Porodica u gradu 1956. godine Ankica Opre\u0161nik izra\u017eava fini senzibilitet porodi\u010dne ljubavi. Na grafici, o\u0161trim linijama prikazani su otac, majka i dete. Otac i majka odeveni su u tirkizno-zelenu ode\u0107u, dok je figura deteta pozicionirana bli\u017ee majci.<\/p>\n","protected":false},"author":2,"featured_media":12335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[95],"tags":[],"class_list":["post-12337","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-u-fokusu-gms"],"acf":[],"yoast_head":"\nAnkica Opre\u0161nik, Porodica u gradu, 1956. | Galerija Matice srpske<\/title>\n<meta name=\"description\" content=\"Uskoro novi tekst U fokusu i novi ambijent Sobe za prepu\u0161tanje umetnosti.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.galerijamaticesrpske.rs\/lat\/u-fokusu-gms\/ankica-opresnik-porodica-u-gradu-1956\/\" \/>\n<meta property=\"og:locale\" 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